The invisible made visible.
George Shewchuk
The process of visual design is as much a function of the formal interaction between point, line and plane as it appears on a surface, as it is the conscious choices a designer makes. This formal interaction is a powerful and complex force that guides the designers actions until the end of their process is in view. Letting the point, line and plane “speak” to you, or in essence show you the way, is an essential and often mysterious dialogue that leads to surprising visual insights and discoveries.
Can we put this force to work when solving problems that are not bound by the constraints of a physical medium? In other words, can we map this interaction onto problem spaces that involve complex human experiences and needs, rather than just manipulating visual structures into pretty objects?